DAUNTLESS DICK DEADEYE
A New Version of HMS Pinafore
The Sunday TimesRobert Hewison
July 31, 2005
HMS Pinafore

The Open Air Theatre, Regent's Park, London
Gilbert and Sullivan are so deeply stained into the fabric of Britain's heritage that you will
know the tunes and work out the ending without having seen this 1878 naval satire before. Which is
why the director, Ian Talbot, was right to choose Herbert Appleman's version rather than the
Savoy Opera origional. As an American, Appleman sees the humour in a class-ridden English navy
overtaken by political correctness enforced by a desk-bound bureaucrat: Desmond Barrit, looking
like a cross between George III and Edward Heath. The inflation of Gary Wilmot's part as able
seaman Dick Deadeye into that of hostile commentator on the action brings out Gilbert's satire
on long-lost operetta conventions, beautifully guyed in Sullivan's music. Encouraged to view
Victorian values through the lens of postmodern irony, we are set free to enjoy the evening for what
it is: a glorious romp involving jolly jack tars and bouncing soubrettes, with Scarlett Strallen
giving her all as the Captain's daughter, and Simon Thomas as a sweet tenor who luckily discovers
he was born above his boat station after all. RH