A Perfect Gentleman

London Review:

A Superb Wit To Outshine Wilde
King's Head
David Lewis

"Hilarious", "Brilliant" and "Wonderful" was the reaction of the audience to Herbert Appleman's new play on Monday night and that was only at the drinks interval. By the end of the show the well-deserved superlatives were flowing just as freely.

A virtually flawless first half sees an experienced cast devour some scintillating comedic writing, containing enough style and witticisms to put Wilde to shame.

Scene after scene hit home -- Lord Chesterfield bribing the prime minister and instructing his son on the "high art" of approaching women, a cringing encounter between Philip and his betrothed, and the revelation that the bumbling son may not be all that he first appeared.

This clever turnaround sets the tone for a second act in which Appleman allows love and real feeling to challenge cynical posturing and politicking. The period costumes, in striking black and white, are given a modern twist, reflecting the notion that initial appearances are often deceptive.

Over the years the King's Head has had its share of West End transfers. This play deserves to be another.